Month: March 2003

  • FWAK! STUDIO PICS – Part 2

    We stick business cards, flyers and all sorts of inspirational crap on our noticeboards..

     

    Early morning: This is the main WORK AREA with Eddie:

    Michael and Evan sit at the animation discs on the right (above), followed by Gavin and Jonathan, our Flash artists. I sit at the computer on the right side of Eddie.

     

     If you look closely, you can see little luchador action figures on each monitor. E.G., Eddie’s computer is called:

     

    A more recent picture. That’s my spot in the middle there (from which I write this blog) And those are our Mucha Lucha character designs on the wall.

     

    Eddie is checking out Otis Fodder’s 365 days project

     

    Some toys. Below are two old Maoist clocks we bought when we were in Hong Kong Last year.

     

    The Fwak! Music Department with DJ Mort.

     

    To be continued…

  • DESKTOP ICONS

    Look! Some cute lil’ scooterkid desktop icons. Pity they’re for Macs only.

    And then I couldn’t resist stealing these very cool wrestler gifs/avatars from the talkwrestlingonline.com forums:

  • CNN.com – Blogging goes mainstream  Blogging keeps on going mainstream. I am sure I’ve heard/read this several times already over the past year.


    A big thank you to John (the big boss of Xanga) for subscribing to our blog. What an honour.

    Some other stuff I want to eventually add to this xanga site:

    • Quick links to previous posts (those we want to revisit)
    • A SEARCH option for this site – if I can get the Atomz search bar to work on skins … hint hint to John if you are reading this
    • Pictures of our Fwak! studio

    BBC: China’s First Astronaut Revealed 
    He’s not as cute as Cosmic Baby but as I’ve said before, the timing is really GOOD right now as we’re co-producing this project with Cartoon Network Asia-Pacific.


    We are leaving for LA next week. How time flies. Which means this week we’ll be sorting through and transferring a big bunch of files from our studio computers onto our laptops, packing, getting haircuts… It will be hard deciding what to bring. We’ll be away from our stuff (reference books! magazines! CDs!) for at least a month.

    Looking forward to checking out some lucha in Tijuana and visiting Amoeba Music. It will be interesting blogging from overseas. Must remember to install digital-camera software onto laptop…

    Also looking into “prepaid internet” deals with global roaming. Has anybody tried Maglobe?

  • The winners of the 2003 Bloggies have been announced. And here are the Anti-Bloggies 2003


    The Tyranny of Email (Link from plasticbag.org) …which is why I am working from home this week and being more productive.


    Currently working on: Cosmic Baby Eps 2 & 3, Krypto Bible, Mucha Lucha designs & script notes, and Viva Lucha artwork (which we are gettin’ nowhere with).

  • Super Dragon has a new mask >> www.super-dragon.com

    Seeing Super Dragon was our first live lucha experience, right here in Australia. Some of you may or may not remember Rockslam 1999 - a rock ‘n roll and wrestling event at Newtown RSL, organized by the guys from Faster Pussycat.  Super Dragon was THE BEST. 


    Saw Cowboy Bebop, the movie (Japanese, non-dubbed version) at the Dendy last nite.

    Eddie: I was very impressed and pleasantly surprised especially as I had no idea what I was about to see. Great script, great characters, great backgounds. Along with Furi Kuri, my favourite anime experience!

    When we were in LA last time, the guys were saying how much Spike Spiegel looks like Matt Danner.(storyboard artist on ML, ex-Spumco artist) It’s TRUE!

    Read Cowbody Bebop reviews

    Interview with Shinichiro Watanabe (Director) 

    Then we got home and watched  Hollywood Rocks The Movies. A documentary on movie musicals in the 1970′s – The blaxploitation and disco stuff was entertaining, but I don’t think we will ever ever sit through Godspell, Xanadu, Phantom of Paradise or A Star Is Born…  Anybody seen Wattstax? This looked interesting.

  • Rude Food

    … from England. There’s MORE at the Rude Food website.

  • Animation Training

    Animation Nation Bulletin Board : Art School, a waste of money? (discussion thread based in the US)

    How did we get into animation?

    Eddie: How are Art Schools structured these days? When I went to art school, there were no animation-specific courses. I did a Graphic Arts course at RMIT (Melbourne) and learnt that “Graphic Design” wasn’t my thing. I wanted to draw cartoons! I left RMIT after the first year.

    Lili: I had always been interested in animation, but back in the early 90′s I had no idea where you would learn to do this. I was doing part-time life drawing classes and that was about it. I went to College of Fine Arts (Sydney) and did a Bachelor of Fine Arts course, and realized that no one cared if you could draw or paint, so long as you passed all the electives – which included sculpture, video, photography, theory. I left art school to pursue my own painting and drawing interests, exhibiting in small gallery shows.

    Eddie: The first place I learnt about animation was at Disney (Sydney) as a trainee inbetweener. This was a good introduction to certain aspects of animation but I got my broader education at the next company I worked in as a Layout artist – which was Mr. Big Cartoons (now: Southern Star animation). Because Mr. Big was a smaller company, I became acquainted with the whole process of animation, unlike at Disney where I was stuck in a corner doing one thing.

    Lili: I discovered a short course – ‘Commercial Techniques in Animation’ at Enmore TAFE, saved up my pennies and enrolled. This gave me the opportunity to animate, use the school’s facilities, meet people, make industry contacts. I became an intern at a small company – Moving Ideas Animation -for 3 months, tried to pick up as much practical knowledge as I could, without pay, before getting freelance inbetweening work on Lil Elvis, and a fulltime position (layouts, character clean-up, inbetweening) at Yoram Gross.

    Eddie: Overall, I learnt the most from Mr. Big, but at RKA (a smaller commercial company), I was able to apply myself the most. At RKA, my position required multi-tasking: – layouts, designing characters, animating, inbetweening, cleaning-up – and doing my own thing. I was able to use RKA’s facilities after-hours to make my own cartoons, which was the most rewarding part.

    Lili: I never gave much thought to making my own cartoons/films. My goal was always to keep improving my skills and to “animate”. I picked projects and productions to work on, where I knew I would be able to learn something new or deepen my skills. I was an assistant animator for several years, and was learning the craft working with different animators/animation directors (each with their own style) at different companies. 

    Eddie: When I established Fudge Puppy Productions, my mission was to make my own cartoons to my own style and not have someone else’s style imposed on me. I had spent several years at RKA working on commercials, so had had enough of that. At Fudge Puppy, I was designing, writing, directing, creating music. My favourite part of the animation process is coming up with the idea and designing it.

    Lili: My favourite part of the animation process is the “character animation” part. I enjoy bringing characters to life with movement and expression. Most animators I know work rough, and leave the clean-up/inbetweening to assistants. I prefer to do everything from rough animation to final clean-up, as I am a control freak.

    Eddie’s advice to kids who want to get into animation:
    Try and develop a style and be confident within your own style.

    Lili’s advice to kids who want to get into animation:
    Expose yourself to different styles and take the opportunity to work with different animators on different projects.

    And because we often get asked this question – Some places you can get 2D ANIMATION TRAINING in Australia are:

    • Queensland College of the Arts (Animation course)
    • University of Western Sydney (Animation elective as part of the design course)
    • Computer Graphics College, Sydney (mainly 3D but small 2D component)
    • Enmore Design Centre/TAFE, Sydney(part-time animation course)
    • Walt Disney TV Animation, Sydney (they recruit trainees twice a year)
    • Moving Ideas Animation, Sydney (Rodney and Jan D’Silva run classes from their home in Lane Cove)
    • Rapt Animation, Sydney (Murray Debus runs occasional animation seminars – not a hands-on course, though)

    Recommended Books/Websites:

    To be continued…



  • Eduardo goes record shopping.
    Coming soon to a mix near you!
    (click on top record image to enlarge)

  • Happy Birthday, Gavin and Oli.

    Gavin works here part-time as a Flash artist. Oli is a good friend and freelance sound-mixer who has given us much sound-recording & effects help.


    We watched the Atomic Cafe last nite: the cult film that made stock footage trendy. Blurb from one of the producers on the making of – The Atomic Cafe: by Jayne Loader


    I think we will be leaving for LA around March 20th – 23rd. WB want us to be there on the 23rd/24th to do an interview for the ML DVD. ML voice recordings start in early April.

    I am planning to keep an online LA Diary when we’re overseas. If we are not too busy and stressed, and manage to get our own internet connection happening, maybe we’ll snap up and post photos of the WB animation studio. A Who’s Who of the ML crew so to speak, and a day in the life of a WB Anim. employee…Maybe the diary will be at a separate address … maybe part of this blog … we’ll see.


    This afternoon’s task: Piece all the Super Mahi Tiki movies together so that the entire 15 minutes runs continuously on CD. There are 9 separate FLA/SWF files to link together.

    I have been experimenting with Linx and Jugglor (Flash third party tools). In the end I realize I can achieve what I want to do with Flash alone. Nothing else needed.